Writing the Self, Writing the Nation Romantic Selfhood in the Works of Germaine de Staël and Claire de Duras

Writing the Self, Writing the Nation: Romantic Selfhood in the Works of Germaine de Staël and Claire de Duras by Stacie Allan is published by Peter Lang in 2019 and spans 233 pages. This book examines the impact of the French Revolution on concepts of identity and self-expression, focusing on the works of Germaine de Staël and Claire de Duras. It explores how gender and national differences shaped societal foundations during this transformative period in France, offering a fresh perspective on Romantic literature from 1789 to 1830.
Readers will find an analysis that highlights the shared and divergent experiences of men and women, employing a methodology that integrates feminist literary criticism and intersectional approaches to gender and nationhood. The book delves into the complexities of identity formation and the interplay between sameness and difference, challenging traditional binaries in early nineteenth-century discourse and culture. By promoting the significance of this often-overlooked era in literary studies, Allan clarifies the contributions of women to French Romanticism and investigates the intricate relationship between individual identity and national context.
Official synopsis Publisher
The French Revolution represents a pivotal moment within the history of personhood in France, where gender and national differences provided the foundations of society. As such, these constructs feature as ideological battlegrounds in the search for identity and self-expression within the Romantic literature published between the revolutions of 1789 and 1830. This book considers Germaine de Staël’s and Claire de Duras’s depictions of men’s and women’s shared and diverging lived experiences to offer an innovative transnational perspective on the usually male-focused mal du siècle. Its methodology combines feminist revisions of the novel, situated reading practices, and life writing research with an intersectional approach to gender and nationhood. This framework presents a dialectical relationship between sameness and difference on formal and thematic levels that challenges the construction and enforcement of binaries within early nineteenth-century legislation, discourse, and culture. Beyond Staël’s and Duras’s intertextual relationship, this book promotes the importance of an understudied period in literary scholarship, clarifies women’s role within French Romanticism, and explores the tense relationship between the self and the nation.
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