Women Writers in Postsocialist China

“Women Writers in Postsocialist China” by Kay Schaffer, published by Routledge in 2014, explores the evolution of contemporary Chinese women’s writing. This edition, comprising 191 pages, delves into how women’s issues are perceived both in China and the West, examining the interplay of translation, adaptation, and the integration of new ideas with traditional Chinese concepts of gender and feminism.
Readers will find a critical analysis of various genres, including autobiographical, biographical, fictional, and historical writing, which reflects the transcultural exchange of ideas between Western and indigenous Chinese feminisms. The book addresses the influences of social, cultural, and political movements on women’s writing, highlighting how these texts resonate within China and are interpreted in different global contexts. Through this examination, Schaffer argues that women-centered writing in China significantly impacts global feminist theory and practice.
Official synopsis Publisher
What does it mean to read from elsewhere? Women Writers in Postsocialist China introduces readers to a range and variety of contemporary Chinese women’s writing, which has seen phenomenal growth in recent years. The book addresses the different ways women’s issues are understood in China and the West, attending to the processes of translation, adaptation, and the grafting of new ideas with existing Chinese understandings of gender, feminism, subjectivity, consumerism and (post) modernism. By focusing on women’s autobiographical, biographical, fictional and historical writing, the book engages in a transcultural flow of ideas between western and indigenous Chinese feminisms. Taking account of the accretions of social, cultural, geographic, literary, economic, and political movements and trends, cultural formations and ways of thinking, it asks how the texts and the concepts they negotiate might be understood in the social and cultural spaces within China and how they might be interpreted differently elsewhere in the global locations in which they circulate. The book argues that women-centred writing in China has a direct bearing on global feminist theory and practice. This critical study of selected genres and writers highlights the shifts in feminist perspectives within contemporary local and global cultural landscapes.
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