Wednesday’s Child Stories

Wednesday’s Child Stories by Yiyun Li is a new collection published by Picador on August 6, 2024, featuring 256 pages in English. This edition presents a series of narratives that explore themes of loss, alienation, and the complexities of contemporary life. Through various characters, including a grieving mother and a professor navigating a troubled relationship, the stories delve into the struggles of achieving an ordinary existence amidst profound challenges.
Readers will find that the stories in Wednesday’s Child illuminate the intricacies of everyday life, revealing moments filled with meaning and unexpected depth. The collection captures the essence of human experience, addressing topics such as estrangement and the passage of time, while maintaining a balance between humor and stark reality. Yiyun Li’s distinctive voice, honed over a decade, brings together pieces that have appeared in notable publications, showcasing her ability to blend tenderness with a keen awareness of life’s uncertainties.
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Finalist for the Pulitzer Prize, the Story Prize, the Los Angeles Times Book Prize for Fiction, and the Mark Twain American Voice in Literature Award
Named a Best Book of the Year by Los Angeles Times, Vulture, Esquire, NPR, and Kirkus Reviews
A new collection—about loss, alienation, aging, and the strangeness of contemporary life—by the award-winning, and inimitable, author of The Book of Goose.
A grieving mother makes a spreadsheet of everyone she’s lost. Elsewhere, a professor develops a troubled intimacy with her hairdresser. And every year, a restless woman receives an email from a strange man twice her age and several states away. In the stories of Wednesday’s Child, people strive for an ordinary existence until doing so becomes unsustainable, until the surface cracks and the grand mysterious forces—death, violence, estrangement—come to light. Even before such moments, everyday life is laden with meaning, studded with indelible details: a filched jar of honey, a mound of wounded ants, a photograph kept hidden for many years, until it must be seen.
Yiyun Li is a truly original writer, an alchemist of opposites: tender and unsentimental, metaphysical and blunt, funny and horrifying, omniscient and unusually aware of just how much we cannot know. Beloved for her novels and her memoir, she returns here to her earliest form, gathering pieces that have appeared in The New Yorker, Zoetrope, and other publications. Taken together, these stories, written over the span of a decade, articulate the cost, both material and emotional, of living—exile, assimilation, loss, love—with Li’s trademark unnerving beauty and wisdom.
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