Venus Strange Stories of the Supernatural

“Venus Strange Stories of the Supernatural” by Michael J. Vassallo is a comprehensive collection published by Fantagraphics Books, Incorporated in 2024. This edition compiles the ten rare issues of the Venus comics, originally released in the late 1940s and 1950s, showcasing the evolution of the series from lighthearted romance to a blend of science fiction and horror. Spanning 290 pages, this volume presents a unique glimpse into the changing landscape of comic storytelling during that era.
Readers will discover a variety of narratives featuring the goddess Venus as she navigates her earthly adventures, which increasingly incorporate elements of horror. The collection highlights the work of notable artists such as Bill Everett and Werner Roth, who contributed to the series with their distinctive styles and imaginative tales. The stories included, such as “Hangman’s House” and “The Day Venus Vanished,” reflect the creative experimentation of the time, offering insights into the genre’s development. This edition serves as a significant resource for fans of comics and graphic novels, particularly those interested in fantasy and horror themes.
Official synopsis Publisher
“The Goddess of Love…and SF horror: The eagerly anticipated single volume collecting the 10 rare issues of the overstuffed Venus comics! In the late 1940s, the first half of the Venus series from Marvel Comics predecessors Timely and Atlas Comics was published as a lighthearted romance comic about the goddess Venus taking a job on Earth at a beauty magazine. Never a company to miss a trend, Atlas began introducing more science fiction elements in the 1950s, and eventually turned Venus’ dating adventures into a straight-out horror anthology. Collected here, 70 years later and for the first time ever, is that swift-changing second half of the 19-issue run. Future Marvel stars Bill Everett (seven issues) and Werner Roth (three issues) take Venus to heights of four-color weirdness and pre-Code horror ghastliness. Everett in particular is given free rein and seizes the opportunity: writing, drawing, and lettering twenty ghoulish and goofy masterpieces, including classics like “Hangman’s House,” “The Day Venus Vanished,” “The House of Terror,” “The Sealed Spectors,” Tidal Wave of Terror,” and the phantasmagorical “Cartoonist’s Calamity!” These stories showcase the brilliant draftsmanship and storytelling of Everett, one of the giants of the 1940s and ’50’s comic book industry. His slick, fluid line rendered at Timely/Atlas, from his seminal god-child Prince Namor, the Sub-Mariner, to the atomic age Marvel Boy, is some of the finest pre-Code horror this side of E.C.’s Graham Ingels.”–Publisher.
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