UK Feminist Cartoons and Comics A Critical Survey

UK Feminist Cartoons and Comics: A Critical Survey by Nicola Streeten, published by Springer International Publishing on January 29, 2021, spans 274 pages and is presented in English. This book explores the significant role that British feminist cartoons and comics have played in the Women’s Movement in Britain since the 1970s, emphasizing the use of humor as a means to convey serious political messages. It addresses the historical context of feminist humor in comics, an aspect that has not been previously documented, and examines the implications for both the development of feminist cartoons and the broader popularization of feminism in the UK.
Readers will find a thorough investigation into the evolution of feminist cartooning from 1970 to 2019, a period marked by notable advancements in feminist theory and practice. The research methodology includes archival data collection and interviews with selected cartoonists, alongside visual and textual analyses grounded in humor theory, comics studies, and feminist theory. This critical survey not only highlights the relevance of humor in feminist discourse but also provides a comparative perspective to North American feminist comics scholarship, focusing on the socio-political contexts that influenced the creation of these works.
Official synopsis Publisher
This book demonstrates that since the 1970s, British feminist cartoons and comics have played an important part in the Women’s Movement in Britain. A key component of this has been humour. This aspect of feminist history in Britain has not previously been documented. The book questions why and how British feminists have used humour in comics form to present serious political messages. It also interrogates what the implications have been for the development of feminist cartoons and for the popularisation of feminism in Britain. The work responds to recent North American feminist comics scholarship that concentrates on North American autobiographical comics of trauma by women. This book highlights the relevance of humour and provides a comparative British perspective.
The time frame is 1970 to 2019, chosen as representative of a significant historical period for the development of feminist cartoon and comics activity and of feminist theory and practice. Research methods include archival data collection, complemented by interviews with selected cartoonists. Visual and textual analysis of specific examples draws on literature from humour theory, comics studies and feminist theory. Examples are also considered as responses to the economic, social and political contexts in which they were produced.
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