The Representation of Japanese Politics in Manga

The Representation of Japanese Politics in Manga by Roman Rosenbaum, published by Taylor & Francis on October 29, 2020, is an edited volume comprising 298 pages in English. This book explores the political motives, discourses, and agendas present in Japanese manga and graphic art, emphasizing the significance of Japanese and broader Asian storytelling traditions within global political contexts. The chapters are richly illustrated and investigate the complex interplay between Japan’s political narratives, media, and bureaucratic discourse, featuring a range of source material from notable figures like Tezuka Osamu to contemporary manga artists.
Readers will find a detailed examination of how manga and graphic arts actively engage with political discourses, challenging the notion that these mediums are apolitical. The contributors analyze various forms of media, including video games and merchandise, employing cross-genre techniques to highlight the dynamic relationship between visual arts and modern pop culture. This volume serves as a valuable resource for students and scholars in Japanese studies, media, and popular culture, as well as professionals in the graphic arts, offering insights into the evolving role of manga in reflecting and shaping political narratives in Japanese society.
Official synopsis Publisher
This edited volume explores political motives, discourses and agendas in Japanese manga and graphic art with the objective of highlighting the agency of Japanese and wider Asian story-telling traditions within the context of global political traditions. Highly illustrated chapters presented here investigate the multifaceted relationship between Japan’s political storytelling practices, media and bureaucratic discourse, as played out between both the visual arts and modern pop-cultural authors. From pioneering cartoonist Tezuka Osamu, contemporary manga artists such as Kotobuki Shiriagari and Fumiyo Kōno, to videogames and everyday merchandise, a wealth of source material is analysed using cross-genre techniques. Furthermore, the book resists claims that manga, unlike the bandes dessinées and American superhero comic traditions, is apolitical. On the contrary, contributors demonstrate that manga and the mediality of graphic arts have begun to actively incorporate political discourses, undermining hegemonic cultural constructs that support either the status quo, or emerging brands of neonationalism in Japanese society. The Representation of Politics in Manga will be a dynamic resource for students and scholars of Japanese studies, media and popular cultural studies, as well as practitioners in the graphic arts.
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