The Prince

Machiavelli composed The Prince as a practical guide for ruling (though some scholars argue that the book was intended as a satire and essentially a guide on how not to rule). This goal is evident from the very beginning, the dedication of the book to Lorenzo de’ Medici, the ruler of Florence. The Prince is not particularly theoretical or abstract; its prose is simple and its logic straightforward. These traits underscore Machiavelli’s desire to provide practical, easily understandable advice.The first two chapters describe the book’s scope. The Prince is concerned with autocratic regimes, not with republican regimes. The first chapter defines the various types of principalities and princes; in doing so, it constructs an outline for the rest of the book. Chapter III comprehensively describes how to maintain composite principalities-that is, principalities that are newly created or annexed from another power, so that the prince is not familiar to the people he rules. Chapter III also introduces the book’s main concerns-power politics, warcraft, and popular goodwill-in an encapsulated form.Chapters IV through XIV constitute the heart of the book. Machiavelli offers practical advice on a variety of matters, including the advantages and disadvantages that attend various routes to power, how to acquire and hold new states, how to deal with internal insurrection, how to make alliances, and how to maintain a strong military. Implicit in these chapters are Machiavelli’s views regarding free will, human nature, and ethics, but these ideas do not manifest themselves explicitly as topics of discussion until later.Chapters XV to XXIII focus on the qualities of the prince himself. Broadly speaking, this discussion is guided by Machiavelli’s underlying view that lofty ideals translate into bad government. This premise is especially true with respect to personal virtue. Certain virtues may be admired for their own sake, but for a prince to act in accordance with virtue is often detrimental to the state. Similarly, certain vices may be frowned upon, but vicious actions are sometimes indispensable to the good of the state. Machiavelli combines this line of reasoning with another: the theme that obtaining the goodwill of the populace is the best way to maintain power. Thus, the appearance of virtue may be more important than true virtue, which may be seen as a liability.The final sections of The Prince link the book to a specific historical context: Italy’s disunity. Machiavelli sets down his account and explanation of the failure of past Italian rulers and concludes with an impassioned plea to the future rulers of the nation. Machiavelli asserts the belief that only Lorenzo de’ Medici, to whom the book is dedicated, can restore Italy’s honor and pride.