The Poetics of Slumberland Animated Spirits and the Animating Spirit

The Poetics of Slumberland Animated Spirits and the Animating Spirit by Scott Bukatman, published by University of California Press in 2012, is a 266-page exploration of the imaginative realms of animation and play. This book delves into the dynamic relationship between artists and their creations, emphasizing how animated characters can take on lives of their own. Bukatman examines various art forms and genres, offering insights into the cultural significance of animation from the early twentieth century to the present.
Readers will find a vibrant collection of essays that blend humor with critical analysis, addressing topics such as cartooning, performance, and the broader implications of animated art. Bukatman’s work synthesizes elements of American popular culture, including comics and science fiction, while engaging with themes of embodiment and the phenomenology of the body. This edition invites readers to reflect on the elastic pleasures of imagination and the playful nature of artistic expression.
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“In praise of animation and play, The Poetics of Slumberland is what we rarely find–an inspiring book exploring the elastic pleasures of the imagination.”–Alexander Nemerov, author of Acting in the Night: Macbeth and the Places of the Civil War
“The Poetics of Slumberland continues Scott Bukatman’s fascination with the vertiginous mapping of modernity from the early twentieth century to the present, here with emphasis on the relationship of the artist/animator to his own potentially autonomous and disobedient creations, which often demand a ‘life of their own.’ Never pedantic, always vibrant, and often downright funny, Bukatman’s essays range across artists, art forms, and genres in a work that is as imaginative and seriously playful as its overarching theme.”–Vivian Sobchack, author of Carnal Thoughts: Embodiment and Moving Image Culture
“Bodies which expand and stretch through animation and special effects, within worlds subjected to topsy-turvy perspectives and kaleidoscopic optics. . . . Bukatman synthesizes a view of an American popular culture of comics, musical numbers, science fiction fantasies, Jerry Lewis’s convulsions, and superhero transcendence with considerations of the sublime, abstract expressionism, the phenomenology of the body, and avant-garde cinema–and makes us believe it! Rarely has any critic caught the pulse of American dreams so vividly and with equal parts exhilaration and vertigo.”–Tom Gunning, author of D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph
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