Postcolonial Comics Texts, Events, Identities

Postcolonial Comics Texts, Events, Identities by Binita Mehta, published by Routledge on April 24, 2015, is a scholarly collection that explores the intersection of comic-book cultures and postcolonialism in both Anglophone and Francophone contexts. Spanning 246 pages, this edition delves into contemporary comic narratives, examining how they reflect and engage with the complexities of the postcolonial condition in the twenty-first century.
Readers will find a diverse range of chapters that analyze the production and circulation of comic books across various regional histories, highlighting the emergence of new postcolonial vocabularies and the reconfiguration of traditional image-functions within social and political frameworks. The volume addresses competing narratives of resistance and rights, making it a significant contribution to comic studies, cultural studies, and gender studies. This collection serves as a timely intervention in the field, challenging existing paradigms and expanding the discourse surrounding comics and graphic novels.
Official synopsis Publisher
This collection examines new comic-book cultures, graphic writing, and bande dessinée texts as they relate to postcolonialism in contemporary Anglophone and Francophone settings. The individual chapters are framed within a larger enquiry that considers definitive aspects of the postcolonial condition in twenty-first-century (con)texts.
The authors demonstrate that the fields of comic-book production and circulation in various regional histories introduce new postcolonial vocabularies, reconstitute conventional “image-functions” in established social texts and political systems, and present competing narratives of resistance and rights. In this sense, postcolonial comic cultures are of particular significance in the context of a newly global and politically recomposed landscape.
This volume introduces a timely intervention within current comic-book-area studies that remain firmly situated within the “U.S.-European and Japanese manga paradigms” and their reading publics. It will be of great interest to a wide variety of disciplines including postcolonial studies, comics-area studies, cultural studies, and gender studies.
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