Of Comics and Men A Cultural History of American Comic Books

Of Comics and Men: A Cultural History of American Comic Books by Jean-Paul Gabilliet, published by University Press of Mississippi in 2010, offers a comprehensive examination of the American comic book industry from its inception in the 1930s to contemporary developments. This 390-page work, presented in English, explores the production, content, and techniques of comic books, intertwining aesthetic considerations with critical biographies and the dynamics of distribution and audience reception.
Readers will find a structured analysis divided into three sections, covering the evolution of the comic book form, the intricacies of its distribution and consumption, and the ongoing legitimization of the medium within academic and popular contexts. Gabilliet employs various theoretical lenses to connect creation, production, and reception, revealing the interconnectedness of these aspects in ways that distinguish comic books from other art forms. The book also includes a thorough introduction by translators Bart Beaty and Nick Nguyen, which updates the discussion to include recent innovations like the graphic novel, making it a significant contribution to the fields of literary criticism and popular culture.
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A meditation on the production, content, and techniques of the American comic book Originally published in France and long sought in English translation, Jean-Paul Gabilliet’s Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues–creation, production, and reception–are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book, now in paperback and in English, provides a thorough landmark overview of American comic books that shed new light on this versatile art form. Jean-Paul Gabilliet, Bordeaux, France, is professor of American studies at the University of Bordeaux, France. Bart Beaty, Calgary, Canada, is associate professor of communication and culture at the University of Calgary. He is the author of Unpopular Culture: Transforming the European Comic Book in the 1990s. Nick Nguyen, Ottawa, Canada, is an archivist at Library and Archives Canada, in Ottawa, Ontario.
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