Linguistics and the Study of Comics

Linguistics and the Study of Comics by Frank Bramlett, published by Palgrave Macmillan UK on May 9, 2012, is a comprehensive exploration of the intersection between linguistics and comics. This 310-page volume addresses a range of questions, such as the linguistic characteristics of Irish superheroes and the humor in Gary Larson’s Far Side cartoons. It brings together contributions from various scholars to provide insights into how language functions within comics, graphic novels, and single-panel cartoons.
Readers will find an analysis of the relationship between cognitive linguistics and visual elements, as well as discussions on the status of comics as a language. The book delves into sociocultural aspects of language, examining topics like code switching, language contact, and dialect variation. Through these discussions, it reveals how comics reflect identity and sociopolitical realities, offering a nuanced understanding of the role of language in visual storytelling.
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Do Irish superheroes actually sound Irish? Why are Gary Larson’s Far Side cartoons funny? How do political cartoonists in India, Turkey, and the US get their point across? What is the impact of English on comics written in other languages?
These questions and many more are answered in this volume, which brings together the two fields of comics research and linguistics to produce groundbreaking scholarship. With an international cast of contributors, the book offers novel insights into the role of language in comics, graphic novels, and single-panel cartoons, analyzing the intersections between the visual and the verbal. Contributions examine the relationship between cognitive linguistics and visual elements as well as interrogate the controversial claim about the status of comics as a language. The book argues that comics tell us a great deal about the sociocultural realities of language, exploring what code switching, language contact, dialect, and linguistic variation can tell us about identity – from the imagined and stereotyped to the political and real.
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