Journalism
Journalism by Joe Sacco, published by Jonathan Cape in 2018, is a collection of short-form comics journalism that explores various conflict zones around the world. This 208-page edition presents Sacco’s unique approach to reporting, blending dark humor with revealing insights into the lives of individuals affected by war and social issues. Through his work, Sacco emphasizes the interpretive nature of comics as a medium, allowing for a personal and subjective exploration of complex topics.
In this collection, readers will find narratives that take them from the smuggling tunnels of Gaza to war crimes trials in The Hague, as well as the struggles of India’s ‘untouchables’ and the plight of sub-Saharan refugees. Sacco’s vivid storytelling captures the absurdities and tragedies of the Iraq War, including the torture of detainees, while highlighting his interactions with the people he encounters. Journalism stands as a testament to the power of comics to convey lived experiences and the nuanced truths of journalism, making it a significant addition to the fields of biography, history, and social science.
Official synopsis Publisher
‘The blessing of an inherently interpretive medium like comics is that it hasn’t allowed me to . . . make a virtue of dispassion. For good or for ill, the comics medium is adamant, and it has forced me to make choices. In my view, that is part of its message’ – from the preface by Joe Sacco
Over the past decade, Joe Sacco has increasingly turned to short-form com-ics journalism to report from conflict zones around the world. Collected here for the first time, Sacco’s darkly funny, revealing reportage confirms his standing as one of the foremost international correspondents working today.
Journalism takes readers from the smuggling tunnels of Gaza to war crimes trials in The Hague, from the lives of India’s ‘untouchables’ to the ordeal of sub-Saharan refugees washed up on the shores of Malta. Sacco also confronts the misery and absurdity of the war in Iraq, including the darkest chapter in recent American history – the torture of detainees.
Vividly depicting Sacco’s own interactions with the people he meets, the stories in this remarkable collection argue for the essential truth in comics reportage, an inevitably subjective journalistic endeavour. Among Sacco’s most mature and accomplished work, Journalism demonstrates the power of a great comics artist to chronicle lived experience with a force that often eludes other media.
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