Constable In Love Love, Landscape, Money and the Making of a Great Painter

Constable In Love: Love, Landscape, Money and the Making of a Great Painter by Martin Gayford, published by Penguin Adult on February 25, 2009, offers an insightful exploration of the life of English Romantic painter John Constable. This 384-page work delves into the complexities of Constable’s personal and artistic development, particularly focusing on his relationship with Maria Bicknell, which faced numerous challenges due to societal expectations and financial constraints. Gayford vividly captures the Regency period, illustrating how love influenced Constable’s evolution as an artist.
Readers will find a detailed account of Constable’s formative years, highlighting the interplay between his romantic struggles and his artistic achievements. The narrative emphasizes how the couple’s clandestine meetings and correspondence shaped Constable’s work, ultimately leading to his recognition as a significant figure in the art world. Through this biography, Gayford sheds light on the themes of love and ambition, while also providing context on the artistic techniques and historical backdrop of the time. This edition serves as a valuable resource for those interested in art history and the personal stories behind renowned artists.
Official synopsis Publisher
Art critic Martin Gayford, author of The Yellow House, brings the Regency period to life in Constable in Love: Love, Landscape and the Making of a Great Painter his account of the life of English Romantic painter John Constable.
Love, not landscape, was the making of Constable. . .
John Constable and Maria Bicknell might have been in love but their marriage was a most unlikely prospect. Constable was a penniless painter who would not sacrifice his art for anything, while Maria’s family frowned on such a penurious union. For seven long years the couple were forced to correspond and meet clandestinely.
But it was during this period of longing that Constable developed as a painter. And by the time they’d overcome all obstacles to their marriage, he was on the verge of being recognised as a genius.
Martin Gayford brings alive the time of Jane Austen in telling the tremendous story of Constable’s formative years, as well as this love affair’s tragic conclusion which haunted the artist’s final paintings.
‘Delightful…a small drama of love, frustration and despair played itself out with massive repercussions for the history of painting’ Financial Times
‘Gayford’s nuanced narrative throws much-needed fresh light, as well as real understanding, on both Constable’s painting and his love life’ Sunday Telegraph
‘A scrupulously observed tragical-comical tale’ Evening Standard
Martin Gayford is a celebrated art critic and journalist who has written for the Spectator and the Sunday Telegraph and is the current Chief European Art Critic for Bloomberg. In his other book The Yellow House: Van Gogh, Gauguin and Nine Turbulent Weeks in Arles Gayford depicts the period in which artistic geniuses van Gogh and Gauguin shared a house in the small French town of Arles.
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