By the Sword: A History of Gladiators, Musketeers, Samurai, Swashbucklers, and Olympic Champions

By the Sword: A History of Gladiators, Musketeers, Samurai, Swashbucklers, and Olympic Champions by Richard Cohen is published by Random House in a First Edition format, released on November 5, 2002. This 519-page book explores the rich history of sword fighting, tracing its evolution from ancient Egypt to modern times. Cohen presents a narrative that intertwines historical figures and events, illustrating how swordplay has been both a form of entertainment and a means of settling disputes throughout various cultures.
Readers will find a comprehensive examination of sword fighting as both an art and a science, with insights into its significance in different eras. The book covers a wide range of topics, including the training of gladiators, the dueling culture of Europe, and the Olympic fencing competitions. Cohen’s engaging writing style brings to life the stories of notable figures, from musketeers to Hollywood swashbucklers, while also highlighting the cultural impact of swordplay on society. This edition offers a detailed look at the historical and social contexts surrounding this enduring martial art.
Official synopsis Publisher
Napoleon fenced. So did Shakespeare, Karl Marx, Grace Kelly, and President Truman, who would cross swords with Bess after school. Lincoln was a canny dueler. Ignatius Loyola challenged a man to a duel for denying Christ’s divinity (and won). Less successful, but no less enthusiastic, was Mussolini, who would tell his wife he was “off to get spaghetti,” their code to avoid alarming the children.
By the Sword is an epic history of sword fighting—a science, an art and, for many, a religion that began at the dawn of civilization in ancient Egypt and has been an obsession for mankind ever since. With wit and insight, Richard Cohen gives us an engrossing alternative history of the world.
Sword fighting was an entertainment in ancient Rome, a sacred rite in medieval Japan, and throughout the ages a favorite way to settle scores. For centuries, dueling was the scourge of Europe, banned by popes on threat of excommunication, and by kings who then couldn’t keep themselves from granting pardons—in the case of Louis XIV, in the thousands. Evidence of this passion is all around us: We shake hands to show that we are not reaching for our sword. A gentleman offers a lady his right arm because his sword was once attached to his left hip. Men button their jackets to the right to give them swifter access to their sword.
In his sweeping narrative, Cohen takes us from the training of gladiators to the tricks of the best Renaissance masters, from the exploits of musketeers to swashbuckling Hollywood by way of the great moments in Olympic fencing. A young George Patton competed in the 1912 Olympics. In 1936, a Jewish champion fenced for Hitler. Errol Flynn and Basil Rathbone were ardent swordsmen. We meet their coaches and the man who staged the fight scenes in Star Wars, The Lord of the Rings, and James Bond’s Die Another Day.
Richard Cohen has the rare distinction of being both a compelling writer and a champion sabreur. He lets us see swordplay as graceful and brutal, balletic and deadly, technically beautiful and fiercely competitive—the most romantic of martial arts. By the Sword is a virtuoso performance that is sure to beguile history lovers, sports fans, military buffs, and anyone who ever dreamed of crossing swords with Darth Vader.
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