A Revolution in Three Acts The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge

A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge by David Hajdu is published by Columbia University Press on February 14, 2023. This 176-page work of graphic nonfiction delves into the lives of three influential vaudeville performers who challenged societal norms at the turn of the twentieth century. Through the lens of their performances, Hajdu examines how Bert Williams, Eva Tanguay, and Julian Eltinge redefined concepts of race, gender, and identity in American culture.
Readers will find a rich exploration of how these entertainers not only captivated audiences but also provoked thought about what it meant to be American during a transformative period. The collaboration between Hajdu and artist John Carey brings their stories to life through hand-drawn images that vividly depict their contributions to the performing arts. This book offers insights into the historical context of vaudeville while drawing parallels to contemporary discussions surrounding race, gender, and sexual identity.
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Winner – 2022 Deems Taylor / Virgil Thomson Book Awards in Pop from the American Society of Composers, Authors, and Publishers
Bert Williams–a Black man forced to perform in blackface who challenged the stereotypes of minstrelsy. Eva Tanguay–an entertainer with the signature song “I Don’t Care” who flouted the rules of propriety to redefine womanhood for the modern age. Julian Eltinge–a female impersonator who entranced and unnerved audiences by embodying the feminine ideal Tanguay rejected. At the turn of the twentieth century, they became three of the most provocative and popular performers in vaudeville, the form in which American mass entertainment first took shape.
A Revolution in Three Acts explores how these vaudeville stars defied the standards of their time to change how their audiences thought about what it meant to be American, to be Black, to be a woman or a man. The writer David Hajdu and the artist John Carey collaborate in this work of graphic nonfiction, crafting powerful portrayals of Williams, Tanguay, and Eltinge to show how they transformed American culture. Hand-drawn images give vivid visual form to the lives and work of the book’s subjects and their world.
This book is at once a deft telling of three intricately entwined stories, a lush evocation of a performance milieu with unabashed entertainment value, and an eye-opening account of a key moment in American cultural history with striking parallels to present-day questions of race, gender, and sexual identity.
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